Talk:FreeFieldDirectivityTF: Difference between revisions

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To be discussed:
To be discussed:
* MIDINote (and MIDINoteDescription) '''or''' Note, Note:Long, Note:Unit = MIDI, NoteDescription ??? The latter has the advantage of being more general. But more complex...
* MIDINote (and MIDINoteDescription) '''or''' Note, Note:Long, Note:Unit = MIDI, NoteDescription ??? The latter has the advantage of being more general. But more complex...
* Conventions name: if we want to keep it simple, we could ignore the room (the usual case when talking about directivity). Then, the convention could be called FreeFieldDirectivityX, with X={TF|FIR}. Note that I skipped the "MusicalInstrument" because this is limiting and we consider directivity of loudspeakers and singers already now, i.e., more than just instruments.

Revision as of 17:39, 10 May 2019

changes:

  • TuningFrequency:LongName: not required, because TuningFrequency is always frequency.
  • TuningFrequency:Unit: not required because TuningFrequency should be in Hz (IS) always.
  • ListenerView/Up: added because required to define the orientation of the microphone array
  • SourcePosition:Definition renamed to SourcePosition:Reference because they provide the narrative description of the spatial reference. SourceView/Up:Definition: the same.
  • EmitterMidiNote: renamed to MIDINote because we don't use emitters anymore.
  • EmitterDescription: renamed to MIDINoteDescription because it describes a note.
  • GLOBAL:MusicianPosition: renamed to GLOBAL:Musician


To be discussed:

  • MIDINote (and MIDINoteDescription) or Note, Note:Long, Note:Unit = MIDI, NoteDescription ??? The latter has the advantage of being more general. But more complex...
  • Conventions name: if we want to keep it simple, we could ignore the room (the usual case when talking about directivity). Then, the convention could be called FreeFieldDirectivityX, with X={TF|FIR}. Note that I skipped the "MusicalInstrument" because this is limiting and we consider directivity of loudspeakers and singers already now, i.e., more than just instruments.